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Hazel
Song History
Arthur McBride
A simple brief
thought on Scottish
Independance.

Were the outdated
union not of some very
high value to England and
the English, why would
they fight so to try to
keep it?

There are only so many
slices to a pie, for one to
have more, another must
have less.

Lastly - to those Scottish
"Loyalists" - to whom are
you loyal?
Scots royalty died in the
1700's so it can be no
Scots crown - And
certainly not it appears to
those who came before,
that bled for Scotland
and her freedom !  
In the words
of Burns, as he
wrote from the heart.

Scots, wha hae wi' Wallace bled,
Scots, wham Bruce has aften led,
Welcome to your gory bed,
Or to victorie.

Now's the day, and now's the hour;
See the front o' battle lour;
See approach proud Edward's power,
Chains and slaverie.

Wha would be a traitor-knave?
Wha can fill a coward's grave?
Wha sae base as be a Slave?
Let him turn and flie:

Wha for Scotland's king and law,
Freedom's sword will strongly draw,
Free-man stand, or free-man fa',
Let him follow me.

By Oppression's woes and pains!
By your Sons in servile chains!
We will drain our dearest veins,
But they shall be free!

Lay the proud Usurpers low!
Tyrants fall in every foe!
Liberty's in every blow!
Let us Do - or Die!!
!

Choose your destiny.
Sung by Martin Carthy on his 1969 album with Dave
Swarbrick, Prince Heathen, and reissued on the
compilation The Carthy Chronicles. Martin Carthy and
Dave Swarbrick also played this on their 1992 video
100 Not Out and in 1976 as an instrumental on Dave
Swarbrick's first solo album, Swarbrick.

Martin Carthy commented in the Prince Heathen
sleeve notes:

I have always assumed that this highly subversive
song was from East Anglia, but in fact I don't know. It is
probably 18th century in origin and I learned it from
Redd Sullivan, who sang it with great wavings of the
arms—the folk world's Joe Cocker? The tune at the
end is French.

A 1970 recording of Arthur McBride by Redd Sullivan
can be found on the BBC album Folk on Friday.

Tony Rose sang this song with somewhat different
verses as The Recruiting Sergeant on his 1982 album
Poor Fellows. He commented in the album notes:

The recruiting sergeant of the 18th and 19th centuries
enjoyed a popularity roughly akin to that of an eelworm
in a potato patch. To ensnare the unwary recruit he had
to be capable of both silver tongued guile and ruthless
skulduggery… only the desperate volunteered! But not
everyone was taken in…! There's splendid irony in this
most violent of anti-militaristic songs. This version is to
be found in Roy Palmer's The Rambling Soldier and I'm
indepted to the Somerset group White Cockade for
bringing it to my notice.